Mr Tully Arnot. Juried Artist
As Above, So Below
QUT Art Museum
Artist Statement
A multi-sensory virtual reality work exploring plant communication, posthumanism and alternate forms of perception. Situated within an abstracted representation of Tully Arnot’s childhood backyard, the virtual environment of Epiphytes features a diffuse, shifting, magenta palette – suggestive of a phytomorphic (plant-based) interpretation of light and space. The work includes interviews with evolutionary ecologist Monica Gagliano, acoustic archaeologist Umashankar Manthravadi, and echolocation teacher/blind researcher and activist Thomas Tajo. These sonic elements are spatially arranged within a free-roam VR (virtual reality) environment, encouraging curiosity and exploration of the space, while generating a collaged conversational dialogue between these diverse theorists. Field recordings of local birds and other ecological sounds compliment these conversations, as well as foley representing the flow of water and nutrients through the trees, suggestive of a natural environment that is either fabricated, or fading. The audio is spatially controlled, using virtual reality as a powerful acoustic tool that can represent complex sonic constructions which aren’t possible in reality. Developed during the Australian bushfires, the early days of the COVID-19 pandemic and the ongoing climate crisis, the work uses implied forms of nature; a passing scent, shadows from an unseen canopy, diffuse amorphous forms, to elicit feelings of solastalgia – a word coined by environmental philosopher Glenn Albrecht meaning an emotional distress at a loss of natural environments – while also encouraging a more symbiotic and interconnected way of being in the world, drawing on the existential premise of the artwork’s botanical namesake, the epiphyte. The work was commissioned by ACMI through the Mordant Family VR Commission and first exhibited in 2022.
About the artists
Tully Arnot’s interdisciplinary practice explores models of plant-based multisensory perception as well as how technology mediates our relationships with the natural world, through areas including plant robotics and the simulation of nature.
Arnot’s work also examines how emergent ways of being are facilitated by social media and human-robot interactions, including with AI, companionship robots and consumer-level replacements of human pleasure, connection and labour.
Arnot is a current PhD Fellow at the School of Creative Media, Hong Kong, with Professor Zheng Bo.
Credits: Creative and technical production by Dr Josh Harle of Tactical Space Lab, with contributions from Monica Gagliano, Umashankar Manthravadi, and Thomas Tajo. Epiphytes is the third Mordant Family VR Commission, a partnership between ACMI and the Mordant Family. It has been supported by the City of Melbourne.
URL: www.tullyarnot.com