The Hidden Image Life of Lenses

Deirdre Feeney

Deirdre Feeney. Juried Artist
Metro Arts

Artist Statement

‘The Hidden Image Life of Lenses’ is an optical image system artwork which emerged from an encounter with a series of telescopic lenses made by the Dutch natural philosopher Christiaan Huygens in the seventeenth century. Witnessing these historical objects, they seemed to hold an invisible charge. As I contemplated the image-light inadvertently captured by these lenses as they looked towards the night sky over three centuries ago, all that they had seen seemed to be looking back at me.

In response to this experience, I developed my optical system as a speculative tool for making visible the charge I had sensed emanating from Huygens’ lenses. The making of the work explored different elements contributing to this charge- the agential seeing of the lenses; the stored memories of all that they had seen over centuries of time; the invisible transfer of light, and the source object directly observed by the lens but perceivable only to the human viewer in the form of the lenses’ auratic charge. The installed artwork brings visibility to a placeless place where object and human meet. It creates a dreamscape scenario where we witness the lenses dreams, an interaction which enables the charge of the lens be transferred from its material holding-form into the perceptual realm of the viewer.

About the artists

Deirdre Feeney is a cross-disciplinary artist and lecturer of Contemporary Art at The University of South Australia. Her research interests include the materiality of image making, media archaeology and the history of optics. Deirdre’s practice-based research collaborates across disciplines of physics and fabrication and electronic engineering to develop optical image systems. These optical systems serve as perceptual tools for generating awareness of technologically mediated experience. Her creative works are hybrid systems incorporating old and new technologies and technological ideas, from Renaissance natural magic to nineteenth century optical mechanics. With a background in glass-making and the projected moving image, Deirdre uses materials such as glass and mirror to develop image systems that physically and emotionally engage the viewer. Deirdre’s works have been exhibited nationally and internationally and she has been the recipient of several Australian residencies and artist fellowships.

Credits: Dr Deirdre Feeney (Optical design assistance: Dr Dale Otten, Laser Physics and Photonics Devices Laboratories, University of South Australia (UniSA). Technical assistance: Mr Mark Cherrill, Australian National Fabrication Facility (ANFF-SA), Mr Rodney Pratt, Future Industries Institute, UniSA, and Mr Rahul Sathiyamoorthi and Mr Matt Cook, STEM, UniSA)

URL: https://www.deirdrefeeney.com/

ISEA2024 acknowledges the Turrbal and Yugara as the First Nations owners of the lands where the symposium will be held. We pay our respects to their elders, lores, customs and creation spirits. We also acknowledge and pay respects to all First Nations peoples across the continent and beyond Australian shores.